Here are samples of Hardy's poetry, tying in with some of the themes we see in Return of the Native.
At Moonrise and Onwards
I thought you a fire
On Heath-Plantation Hill,
Dealing out mischief the most dire
To the chattels of men
of hire
There in their vill.
But by and by
You turned a yellow-green,
Like a large glow-worm in the sky;
And then I could descry
Your mood and mien.
How well I know
Your furtive feminine
shape!
As if reluctantly you show
You nude of cloud, and
but by favour throw
Aside its drape. . . .
--How many a year
Have you kept pace with
me
Wan Woman of the waste up there,
Behind a hedge, or the
bare
Bough of a tree!
No novelty are you,
O Lady of all my time,
Veering unbid into my view
Whether I near Death's
mew,
Or Life's top cyme!
The Moth-Signal
(On Egdon Heath)
"What are you still, still thinking,"
He asked in vague surmise,
"That you stare at the wick unblinking
With those deep lost luminous
eyes?"
"O, I see a poor moth burning
In the candle flame,"
said she,
"Its wings and legs are turning
To a cinder rapidly."
"Moths fly in from the heather,"
He said, "now the days
decline."
"I know said she. "The weather,
I hope, will at last be
fine."
"I think," she added lightly,
"I'll look out at the
door.
The ring the moon wears nightly
May be visible now no
more."
She rose, and, little heeding,
Her life-mate then went
on
With his mute and museful reading
In the annals of ages
gone.
Outside the house a figure
Came from the tumulus
near,
And speedily waxed bigger,
And clasped and called
her Dear.
"I saw the pale-winged token
You sent through the crack,"
sighed she.
"That moth is burnt and broken
With which you lured out
me.
"And were I as the moth is
It might be better far
For one whose marriage troth is
Shattered as potsherds
are!"
Then grinned the Ancient Briton
From the tumulus treed
with pine:
"So, hearts are thwartly smitten
In these days as in mine!"
Hap
If but some vengeful god would call to me
From up the sky, and laugh: "Thou suffering
thing,
Know that thy sorrow is my ecstasy,
That thy love's loss is my hate's profiting!"
Then would I bear it, clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.
But not so. how arrives it joy lies
slain,
And why unblooms the best hope ever sown?
--Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan.
. . .
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.
Neutral Tones
We stood by a pond that winter day,
And the sun was white, as though chidden
of God,
And a few leaves lay on the starving sod;
--They had fallen from an ash, and were gray.
Your eyes on me were as eyes that rove
Over tedious riddles of years ago;
And some words played between us to and fro
On which lost the more by our love.
The smile on your mouth was the deadest thing
Alive enough to have strength to die;
And a grin of bitterness swept thereby
Like an ominous bird a-wing . . .
Since then, keen lessons that love deceives,
And wrings with wrong, have shaped to me
Your face, and the God-curst sun, and a tree,
And a pond edged with grayish leaves.
He Never Expected Much
Well, World, you have kept faith with me,
Kept faith with me;
Upon the whole you have proved to be
Much as you said you were.
Since as a child I used to lie
Upon the leaze and watch the sky,
Never, I own, expected I
That life would all be
fair.
'Twas then you said, and since have said,
Times since have said,
In that mysterious voice you shed
From clouds and hills around:
"Many have loved me desperately,
Many with smooth serenity,
While some have shown contempt of me
Till they dropped underground.
"I do not promise overmuch,
Child; overmuch;
Just neutral-tinted haps and such,"
You said to minds like mine.
Wise warning for your credit's sake!
Which I for one failed not to take,
And hence could stem such strain and ache
As each year might assign.