Wide Sargasso Sea: Working Bibliography
 

Barnes, Fiona R. "Dismantling the Master's Houses: Jean Rhys and West Indian Identity." Eds. Anne E. Brown and Marjanne E. Gooze. International Women's Writing: New Landscapes of Identity. Westport, CT : Greenwood, 1995. 150-61.
 

Curtis, Jan. "The Secret of Wide Sargasso Sea.." Critique 31:3 (Spring 1990): 185-197.
 

Dole, Carol M. "The Nature World in Jane Eyre and Wide Sargasso Sea." West Virginia University Philological Papers 37 (1991): 60-66.
 

Emery, Mary Lou. "The Politics of Form: Jean Rhys's Social Vision in Voyage in the Dark and Wide Sargasso Sea." Twentieth Century Literature 28:4 (Winter 1982): 418-430.
 

Erwin, Lee. "'Like in a Looking-Glass': History and Narrative in Wide Sargasso Sea." Novel 22:2 (Winter 1989): 143-158.
 

Fayad, Mona. "Unquiet Ghosts: The Struggle for Representation in Jean Rhys's Wide Sargasso Sea.." MFS 34:3 (Autumn 1988): 437-452
 

Friedman, Ellen G. "Breaking the Master Narrative: Jean Rhys's Wide Sargasso Sea." Breaking the Sequence: Women's Experimental Fiction. Eds. Ellen G.Friedman and Miriam Fuchs. Princeton : Princeton UP, 1989.117-128.
 

Hallidy, Gregory-H. "Antoinette's First Dream: The Birth-Fantasy in Jean Rhys' Wide Sargasso Sea." Notes on Contemporary Literature 21:1 (1991): 8-9.
 

Harrison, Nancy R. Jean Rhys and the Novel as Women's Text. Chapel Hill : U of North Carolina P, 1988.
 

Huggan, Graham. "A Tale of Two Parrots: Walcott, Rhys, and the Uses of Colonial Mimicry."

Contemporary Literature 35:4 (Winter 1994): 643-60.
 

Hulme, Peter. "The Locked Heart: The Creole Family Romance of 'Wide Sargasso Sea.'" Colonial Discourse/Postcolonial Theory. Eds. Francis Barker, Peter Hulme and Margaret Iversen. Manchester : Manchester UP, 1994. 72-88.
 

Kamel, Rose. "'Before I Was Set Free': The Creole Wife in Jane Eyre and Wide Sargasso Sea."

Journal of Narrative Technique 25:1 (Winter 1995): 1-22.

Kendrick, Robert. "Edward Rochester and the Margins of Masculinity in Jane Eyre and Wide Sargasso Sea." Papers on Language and Literature 30:3 (Summer 1994): 235-56.
 

Kubitschek, Missy Dehn. "Charting the Empty Spaces of Jean Rhys's Wide Sargasso Sea." Frontiers 9:2 (1987): 23-28.
 

Koenen, Anne. "The Fantastic as Feminine Mode: Wide Sargasso Sea." Jean Rhys Review 4:1 (1990): 15-27.
 

Lawson, Lori. "Mirror and Madness: A Lacanian Analysis of the Feminine Subject in Wide Sargasso Sea." Jean-Rhys-Review 4:2 (1991): 19-27.
 

Luengo, Anthony E. "Wide Sargasso Sea and the Gothic Mode." World Literature Written in English 15 (1976): 229-45.
 

Meckier, Jerome. "Distortion versus Revaluation: Three Twentieth-Century Responses to Victorian Fiction." Victorian Newsletter 73 (Spring 1988): 3-8.
 

Mezei, Kathy. "'And It Kept Its Secret': Narration, Memory, and Madness in Jean Rhys' Wide Sargasso Sea." Critique 28:4 (Summer 1987): 195-209.
 

Nunez-Harrell, Elizabeth. "The Paradoxes of Belonging: The White West Indian Woman in Fiction." MFS 31:2 (Summer1985): 281-293.
 

Oates, Joyce Carol. "Romance and Anti-Romance; From Bronte's Jane Eyre to Rhys's Wide Sargasso Sea." Virginia Quarterly Review 61:1 (Winter 1985): 44-58.
 

O'Connor, Teresa F. Jean Rhys: The West Indian Novels. New York : New York UP, 1986.

Olaussen, Maria. "Jean Rhys's Construction of Blackness as Escape from White Femininity in 'Wide Sargasso Sea.'" ARIEL 24:2(1993): 65-82.
 

Piela, Catherine Horbury. "Finding Other: A Note on Rhy's Wide Sargasso Sea." Notes on Contemporary Literature 24:2 (1994): 9-11.
 

Rody,-Caroline. "Burning Down the House: The Revisionary Paradigm of Jean Rhys's 'Wide Sargasso Sea.'" Famous Last Words: Changes in Gender and Narrative Closure. Ed. Alison Booth. Charlottesville : UP of Virginia, 1993. 300-25.
 

Smith, R. McClure. "'I Don't Dream about It Any More': The Textual Unconscious in Jean Rhys's Wide Sargasso Sea." Journal of Narrative Technique 26:2 (Spring 1996): 113-36.
 

Spivak, Gayatri Chakravorty. "Three Women's Texts and a Critique of Imperialism." Critical Inquiry 12:1 (Autumn 1985): 243-261.

Thorpe, Michael. "'The Other Side': Wide Sargasso Sea and Jane Eyre." Ariel 8:3 (1977): 99-110.
 

Wilson, Lucy. "'Women Must Have Spunks': Jean Rhys's West Indian Outcasts." MFS 32:3 (Autumn 1986): 439-448.
 

Winterhalter, Teresa. "Narrative Technique and the Rage for Order in Wide Sargasso Sea."

Narrative 2:3 (1994): 214-29.