THE UNIVERSITY OF TENNESSEE
AT MARTIN
Department of English
English 111
English Composition
Fall Semester, 2002
Section 36 |
Section AC2 |
Section 29 |
|
MWF
8-8:50 a.m. Gooch
Hall, Room 209 |
MWF
8-8:50 a.m. Camden
Central High School |
MWF
11-11:50 a.m. Humanities
Building, Room 308 |
Name: Tim Hacker
Office: Humanities Building, Room
130B
Phone: 731/587-7283
Email: thacker@utm.edu
Office
Hours: MWF 9-10 a.m., TTh 1:30-2:30
p.m., and by appointment
You
will need these three books, available at the UTM Bookstore . . .
Gandhi,
M. K. (1983). Autobiography: The
Story of My Experiments with Truth.
New York: Dover.
Gardner,
H. (1997). Extraordinary Minds.
New York: Basic Books.
White,
M. & Gribbin, J. (1993). Einstein: A Life in Science.
New York: Plume/Penguin.
You
will also need . . .
An
audiocassette tape, new or used. For
some of your writing, I will record my comments instead of writing them.
Access
to a computer with a web browser.
Access
to a good dictionary; one that provides multiple definitions of words.
English
111 is the first of two three-credit hour courses in composition that are
required for all bachelor’s degree programs at the University of Tennessee at
Martin. Here is what the 2001-02
University Catalog says about it:
Introduction to the fundamentals of written discourse. Study of rhetoric, grammar, and style as a means to effective prose. Readings and concomitant writing assignments. Predominantly a skills course. Students must complete ENG 111 and 112 in sequence. In order to proceed to ENG 112, students must complete ENG 111 with a grade of C or higher.
This
description is pretty broad; virtually any course that asked you to read, think
about what you had read, and then write about it would fall within its
guidelines. The English department, in
its own statement of goals, is much more specific. It says that ENG 111
1 Introduces students to the variety of discourses that make up expository writing (e.g., narration, causal analysis, comparison, argumentation).
2
Engages
students in thesis-directed writing while encouraging them to see writing as a
process—involving reading, writing, and revising—through which they discover
ideas and develop those ideas into coherent sentences, paragraphs, and essays.
3
Involves
students in a variety of writing situations, including those they are likely to
encounter in other classes (e.g. journals, timed essays/exams, out-of-class
writing), while emphasizing the value of writing beyond the university
experience.
4
Introduces
students to ideas through several types of texts (e.g. essay, fiction, film,
hypertext, poetry, and drama) and uses these texts, particularly essays and
fiction, as a basis for analysis, reflection, and writing.
5
Enables
students to understand the expectation for precision in writing through
explorations of style, logic, rhetoric, and grammar.
6
has
each student produce a minimum of six projects. By the end of the semester, each student will have produced at
least the equivalent of 15-20 typed pages (approximately 4500-6000 words) of
finished text.
We
will try to meet these ambitious goals by structuring the work of our class
around a key text, Howard Gardner’s Extraordinary Minds. The four people Gardner describes in it will
in turn lead us to other materials: a
movie, a biography, an autobiography, and a set of short essays. Our critical thinking and writing tasks will
be in response to these materials.
Over
the course of my career—a career that is 20 years old and counting—I have
become increasingly concerned about the role of grades. Grades, it seems to me, have several
problems. At the heart of these
problems is that grades are a form of extrinsic motivation; motivation that
other people put on us. Extrinsic
motivation is very effective in some setting that work with established
procedures. But research shows that creativity—and
I hope we are all in school to learn how to think in new, productive, creative
ways—almost always comes about because of intrinsic motivation. Motivation, that is, that we put on
ourselves, because we find the work fulfilling and enjoyable in its own right.
In
order to create a classroom environment that encouraged intrinsic motivation, I
would (if I could) abolish grades and simply write a letter of recommendation
for each of the students I work with.
For better or for worse, I do not have that freedom; I must issue you a
grade for the work that you do in this class.
After
years of thought and experimentation, I have reconciled these conflicting
demands with a contract grading system.
Contract grading emphasizes your intrinsic motivation, but it also gives
me the safeguards I must have. These
safeguards are three prerequisites that you must obey:
1
Daily work cannot be made up if you are absent. This work is of two types:
quizzes and freewrites over the readings. Because we will do a lot of these—eight quizzes; 10 freewrites—you
should be able to miss one or two of these and still reach the grade criterion
you want. (It should go without saying
that you may not come to class simply to take a quiz or do a freewrite and then
leave.)
2
I
respond to writing; I do not assign a letter grade or numerical score to
it. But all papers must be of
passing quality. I reserve the
right to ask you to rewrite any paper that simply misses the assignment
criteria or that indicates you haven’t done the assigned reading.
3
Academic
integrity. Any student who willfully
misrepresents the work of another person as his/her own will fail the course. Please see the section entitled “Academic
Policies,” found on p. 10 of the Student Handbook.
The
contract system allows you to choose the grade you work for. At the end of the semester, you will be
awarded the grade for which you have completed all of the criteria.
For
a grade of C—in order to pass the course at a minimally acceptable level—you
must:
For
a grade of B, you must:
For
a grade of A, you must:
Please
note: Any student eligible for and
requesting academic accommodations due to a disability is requested to provide
a letter of accommodation from P.A.C.E. or Student Academic Support Center
within the first two weeks of the semester.