The paper reprinted below appeared in The Explicator in 1996, and the journal has generously authorized its use on this site.
On February 4, 1994, I presented a paper titled “George Herbert’s ‘Double Pleasures’: Suppressed Design and Rhyme-Scheme Wit in ‘The Collar’” at the South Central Conference on Christianity and Literature in Shreveport, Louisiana. This paper developed an argument similar to what is reprinted here.
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From The Explicator, “Herbert’s THE COLLAR,” Roy Neil Graves, Vol. 54, No. 2, 73-77, Winter 1996. Reprinted with permission of the Helen Dwight Reid Educational Foundation. Published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802. www.heldref.org. Copyright © 2005.
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[Explicator page 77, the end of the essay]
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